out now: my solo recording

The Medieval Piper

November 2017, brilliant classics

a solo recording with music from 12th to 14th century Europe

illustrating the versatile instruments as well as the rich and manifold repertoire of a medieval piper

SILKE GWENDOLYN SCHULZE_pipe and tabor/triangle, shawm, recorders, double recorder, douçaine 

Cover Kopie

recorded in Peterskirche Blansingen by Daniel Comploi

filmed in St. Cyriak Sulzburg by Mel et Lac

"A specialist in wind instruments from the Medieval and Renaissance eras, Silke Gwendolyn Schulze takes listeners on a journey into the musical past of the courts and country fairs of Western Europe in the Middle Ages. Though little direct evidence has come down to us about individual composers and the instruments they played, she combines painstaking research and a vivid musical imagination to recreate the world of the aristocratic singer–poets and itinerant musicians – the troubadours and minstrels – who were an important part of every facet of cultural life at the time.

Knowledge of these musicians’ social patterns, illustrations of instruments and manuscripts of vocal music and wordless dances have informed Schulze’s reconstruction of the theoretical repertoire of one imaginary Medieval piper – the songs he would have learned, memorised and performed for the entertainment of others.

She performs a varied programme of pieces, some by great names of Medieval music such as Hildegard von Bingen and Guillaume de Machaut, some by documented courtly troubadours like Jehan Erart and Guiraut Riquier, some even posited to be by the King of Castile and Leon himself, Alfonso el Sabio, using a wide array of period wind instruments including pipe & tabor, two tabor pipes, pipe & triangle, six-hole flute, recorder, double recorder, shawm and douçaine.

A fascinating program conjuring up the life of a medieval piper, travelling the country to entertain at Royal weddings, tournaments, religious councils, court sittings and annual fairs, carrying a plethora of melodies and instruments.

The pieces on this new recordings are based on vocal source material, which is mainly taken from the “Manuscrit du Roi”, the “Chansonnier de Vallière” and the “Cantigas de Santa Maria” collection. Taking the text and vocal forms that underpin them as starting point the artist instrumented some of the pieces based on the individual features and playability of the instruments in question. As many of the musical parameters are not notated down in the manuscripts much is left to free imagination and improvisation, no doubt fully in style with the original performances."

more information and buying options on the brilliant classics website

photos by Ricardo Simian & Elam Rotem

2 - Silke Gwendolyn Schulze (c) Elam Rotem, Mel et Lac
3 - Silke Gwendolyn Schulze (c) Elam Rotem, Mel et Lac
© Silke Gwendolyn Schulze 2013-2018
photos: Susanna Drescher